VIDEO GAME SCORES
“Fallen From Destiny” - original composition
Fantasy/ adventure, intense, fast paced
A variety of staccato instruments (strings, upright piano, synths, harp, dulcitone, etc.) weave in and out to create an evolving ostinato, underneath a melody played by bassoon and cello.
Around 0:40 there is an emotional shift as the percussion really kicks in, the harmony changes, and violins take over the melody.
Some light synth textures are buried throughout, giving a dystopian aftertaste.
“In Flight Suite” - original composition
Fantasy/adventure, celestial, orchestral
Violins play the main motif at the start, which is also heard again toward the end played by a flute and piano.
At 0:18, a time change from 6/8 to 4/4, accompanied by soaring strings and celestial choir emulates soaring above the clouds.
Another big change happens at 0:30, bringing in a second theme and heavier percussion.
(artwork by Ivan Laliashvili)
“Creaks” - rescored
Mystery, dark, with metallic and acoustic textures
This piece is all about texture. To compliment the industrial atmosphere I used recordings of trash dumpsters, bells, clock chimes, and various other metal artifacts. On top of these I layered a Milltone Tongue Drum, upright piano (plucked and played normally) and several self-made sounds made on an FM synthesizer.
The melody is dark and dissonant, taking unexpected twists and turns just like the player of the game.
“Fallen Angel” - original score
Electronic, upbeat, dark, chiptune-esque
A dark, shifting choir can be heard soaring above this fast paced, synth-heavy piece, which highlight the angels that make up the characters for this game.
All of these synth sounds are made from scratch on U-he’s “Zebra.” Some chiptune elements nod to the Japanese influence and beautiful pixel art in this game.
“On the Run”
Tense, fast-paced, synth-orchestral hybrid
This piece starts with a muted piano ostinato, over which various elements are added - staccato cellos, pulsing synths, some metal percussion, piano, dissonant drones.
At 1:09 the drama increases with a harmonic change, heavier percussion, more prominent synth textures, and solo violin, viola, and cello arpeggios.
Finally at 1:30, the pitch of the entire piece unexpectedly bends down a half step creating further tension and an eerie atmosphere.
“Joy”
Bright, atmospheric, celestial, synthy
Bright, bubbling atmospheric piece. Largely self-made sounds on U-he’s Zebra synthesizer, in addition to some piano, harp, and ethereal choir.
"One Raft” - original score
Mystery, dark, electronic, mellow, retro
This was a fun piece created for a puzzle game in which the player is escaping from a swamp.
Some retro square and triangle wave-based synths underscore the pixel art featured in this game. An eerie melody takes some unexpected twists and turns over the pulse of some self-made plucked synths, harmonium, and a laid back beat that kicks in around 0:20.
What they say…
"Ryan is very easy to work with. He is open to feedback, motivated and is very flexible with themes, moods and styles."
Christopher Schoch (Game Developer, Demon Dungeon, Fallen Angel, One Raft)
“In no time, Ryan was able to create magical compositions that graced the film. He worked selflessly, and put his whole soul into his music.
I can confidently say that Ryan is one of the most talented composers of our time and future.”
Danil Grin (Director/ Producer, Unbroken)
ORCHESTRAL
Fantasy
See Film Scoring Samples Below for more orchestral composition.
Action
EVERYTHING ELSE
Chiptune
Electro-acoustic hybrid idk
FILM & TV
Westworld action scene
Hybrid orchestral/ electronic score. Everything you’d look for in an action scene.
Some Gustav Holst and John Williams influences might be noticed at times.
Unbroken (2020) Opening Credits
I had a week and a half to write and record the score for this feature length documentary.
The entire score was recorded live by a piano quartet - violin, viola, cello and piano played by yours truly.
Rat (2020)
Noire-esqe jazz.
Trumpet melody around 0:50
Strings around 2:10, builds to a nice climax 2:40-2:55
Bring It Home
Brass band piece with a lil R&B flare. Written for a sync brief requesting “cool brass band music.”
into the dark
Saturated solo piano with some light evolving saw wave synth layers
first light
Peaceful, uplifting piece for violin, cello and piano
ACTION
EMOTIONAL
JAZZ/ FUN
WORLD MUSIC
COMPOSITION COMMISSIONS
Past commissions:
Beauty (2019) - for mixed chorus. Commissioned by Notre Dame High School
Faith (2018) - 75 minutes of music for violin, cello, and piano, for a dance collaborative performance. Commissioned by The Wayward Artist
Candlelight & Carols (2017) - Arrangements of O Holy Night, Angels We Have Heard, and Little Drummer Boy for Pasadena Presbyterian Church’s Choir, Pipe Organ, and Orchestra
Eden (2017) - for trumpet, cello, and piano. Commissioned by NY-based trumpet performer, Jonathan Heim
Sun and Stars (2017) - for women’s chorus. Commissioned by Notre Dame High School
I have written for jazz ensembles, chamber groups, orchestras, choirs, and solo instruments. My compositions are fresh and engaging, and accessible to all listeners. For rates and scheduling, please contact me.